An Interview With the Soulsavers, Pt.2

  Following on from the revelations on and about the Soulsavers’ new Reconsidering the Madman album, the conversation with Rich Machin turns to more general matters regarding work previous and planned, with a bunch of questions that veer towards the eclectic and back again, as well as me just noticing as I was putting this bit together that I’d asked the same question twice.  Moving swiftly on from that faux.. Read More

An Interview With the Soulsavers, Pt.1

  Over the very varied course of their recorded history, the word Cinematic is one that has been applied constantly to the Soulsavers, and with good reason.  Whether it’s the VHS pulp noir of their Tough Guys Don’t Dance debut, the Wim Wenders outsider Americana of their It’s Not How Far You Fall, It’s The Way You Land follow-up or the full-blown epics of Broken and The Light The Dead.. Read More

Mark Lanegan – A Thousand Miles Of Midnight

Back in the days where people weren’t too fussed about genre labels, when experimentalism regularly hit the high points of the charts and when nobody really gave much of a stuff how much records weighed, remixes reigned supreme.  These were mostly shuffled off to the margins of b-sides and exclusive 12″ singles, but there was the occasional album of rejigged and reworked music for our pleasure.  Remixing was all over.. Read More

Steve Gullick – Nirvana Diary

I consider myself very lucky to be the age that I am.  Not now of course, as that’s awful.  But the age I am allowed me to be the age that I was at the back end of the 1980s and the beginning of the 1990s when there was so much wonderful chaos in the world of music, and I will always be amazed that it was all going on.. Read More

Best of 2014, No.1: Myriam Gendron – Not So Deep As A Well

  On the last day of the year, it’s my favourite record of the year.  When I first heard this in April by accident, I was pretty sure that this was going to end up on the top of the 2014 pile.  After a small amount of doubt in the middle of Summer, I can’t believe that I thought that it could have been anything else at any point.  All good.. Read More

Best of 2014, No.2: A Winged Victory For The Sullen – Atomos I-XII

This record and the one that follows were pretty interchangeable during the month or so that it took to put this whole Top Fifty together.  I’m pretty sure I have them the right way round though, as I hope to explain tomorrow (yes!  I will might actually get this review of 2014 completed in 2014!).  As it’s a personal statement, it’s only fitting that the ones that made the most.. Read More

Best of 2014, No.3: Mark Lanegan Band – Phantom Radio

Genre pigeonholing, don’t you just love it?  Ever since Faith No More were dubbed “Funk Metal” back in the 1980s, mankind’s desire to label things that sound a bit different to everything else has seen labels get sillier and sillier.  Then again, it all started with Rock and Roll, which makes little sense anyway.  I did try to find something all-encompassing to encapsulate whatever goes on during the course of.. Read More

Best of 2014, No.4: Inventions – Inventions

Sometimes, something just grabs you and doesn’t let go.  Inventions, a coming-together of Explosions In The Sky’s Matt T. Smith and Eluvium’s Matthew Cooper is most definitely one of those somethings.  The first play of this album overwhelmed and reprogrammed the senses, and a later, memorable playthrough on a train journey down to London cemented its status as a record to be cherished.  It’s a record that suggests constant movement, described.. Read More

Best of 2014, No. 5: Desertshore – Migrations of Glass

It’s all going in fits and starts here, and with three days left until the end of the year it’s all getting a bit fraught here.  It will be finished though, even if it’s nudging midnight at the last timezone on the planet.  It’s an enjoyable pursuit, not only because of the excuse to revisit and re-evaluate all the best musical bits of 2014, but just to have a bit.. Read More