Browsing Posts published by Si

olivier libaux qotsaA favourite, if slightly unintentional pastime of mine is preordering something online and then completely forgetting about it.  I do this more often than not, and possibly more often than is maybe healthy – although I have yet to go the full monty and buy something more than once because I have already ordered it and forgotten about it.  This is A Good Thing, as at least my subconscious is presumably working even at times when the rest of me isn’t.

After that preamble, it’s probably no surprise then to report that this was waiting for me when I got home today.  Well, no surprise to you, but one to me anyway.  Olivier Libaux may well be familiar to many as co-founder of Nouvelle Vague, a musical project covering songs from the Punk and New Wave era in a more relaxed, loungey style.  For his new project, Monsieur Libaux takes that same premise and applies it to the work of just one band.  Can you guess which one?

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tomorrows harvestI was going to do something else today, but events such as the opening of a new vinyl/soundtrack forum over at Spin The Blackest Circles (a venture hosted by Death Waltz Recording Company, One Way Static Records and Light In The Attic. And who is that mysterious figure helping out on the admin/moderation side of things? That’ll be me) and this record taking up all of my spare time, I thought it was only fair to do a more “proper” review of something I’ve sat down and soaked in since Saturday when the double vinyl arrived, taking the time to get into it rather than excitedly type over the live first transmission, which was fun to do but didn’t really quite work as well as I would have liked it to have done.  If you can’t be bothered reading another 500+ words below the line, take it from me – I bloody love this record.  If you can, there are a few bits (ie, the main theme of it!) that I carried over from the liveblog because that’s still the strongest impression I have.  Hopefully I’ve refined it a bit though!

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night terrorsSometimes it’s a crying shame that you can only listen to something for the very first time once.  Picking up something that you’ve never heard of before for no reason other than someone saying that it’s really good, and then having that single sole preconception go “Kerblammo!” in your head once it hits your ears.  Yes, that thing.

As I am wont to do occasionally, I heed the advice of someone who knows this sort of thing better than I and listened to this band whose existence I had no inkling of previously. After about 2 minutes, I forked out forty Australian dollars (an amount of which I have no Earthly notion of how much that actually is) plus shipping on this double album on vinyl that looks as good as it sounds.  Thankfully it also came with a download so I’m not having to wait for it to appear from the other side of the planet.

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005Guten Abend, Bonsoir, Ohayou Gozaimasu, Hello and I hope there’s someone out there…

So, after the best part of a decade waiting and a couple of months after the treasure hunt started, there’s a new Boards Of Canada album just around the corner, and the livestream of Tomorrow’s Harvest is upon us, which you can have a gander at by popping over to BoardsOfCanada.com.  I have no idea how this is going to work this evening given that there’s only so much can be said for an album of presumably ambient instrumental overtones and there’s only so many adjectives, metaphors and similes that cover all that.  There’s a very real chance this could wind up looking akin to a very weird wine-tasting blog if I’m not careful.
So, erm, yes.  I am really looking forward to hearing what’s going to play over the course of the next however long the album is, I fully expect to not really take this very seriously, and ongoing comments would be welcome either at the bottom of this page, or via the Twitter feed at @6dft.  Spelling/factual/most other kinds of mistakes, repetition, digression and increasing madness will no doubt ensue.

 

Ooh – and for those not wanting to have the record spoiled in any way, I’ll probably only be commenting on a few tracks specifically rather than picking at each one (because there’s only so fast I can type!) so hope to get the ‘spirit’ of the first listen.  But if you’re determined to hang on another week until this record is in your well-manicured little hands, then good luck, and hope you pop back afterwards to have a peep below the line here and see if I’m wildly inaccurate in hindsight.

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029

Best Laid Plans, and all that.  The current default setting here at the mo is “try to do something, then knock something else together as quickly as possible because Plan A has just gone a bit wonky”.  The pic to the left of this scribbling is the majestic, erm, majesty of the planet Saturn which looks stunning through the telescope but more than a little bit smudgy when I employ a camera.  Ah well, I know what it is and that’s the main thing.  Other plans that have gone awry (including the arrival of cloud-filled skies at night no matter how clear and lovely it is during the day) have been scuppered by time and work constraints, so I hope to start doing the thing I was hoping to do last week, next week – or maybe alternate that with this on Sundays.  I’m waffling.

And if things go vaguely (or at all) well tomorrow, I’m planning on liveblogging the Tomorrow’s Harvest Listening Party starting here at about 20:45 BST.  Would be fun if you popped by, so it’s not just me hitting “update” every 10 mins, typing ridiculously fast and looking for alternate words for “ethereal”.

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like-clockwork-1024x1024Queens Of The Stone Age have always had a strange effect on me, I must admit.  Play me pretty much any song of theirs and I’ll happily enthuse about whatever’s playing and possibly bore you with the details of who’s on any given one.  Sit me down in front of any of their previous five albums in full however, and I’ll get a bit distant and twitchy.

Do I have any idea why this is the case?  Not especially, no.  I used to say that I could honestly either take or leave QotSA, but it’s something a bit stranger than that I think; more like “this is great, but I really need to be somewhere else, thanks”, going away for a bit, rinse and repeat.  On the plus side, it’s a system that works for me.

This new one is different.  On so many levels it’s different.  The main difference here being that I’m more than happy to, nay - demand to – listen ardently from start to finish.

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perilsAt a time when people – and oh my do I include myself in this bracket – are excitedly prepping themselves to hear the first album in eight years (what is it about eight years and artists?), this is Mark Kozelek’s third album this year.  And it’s still only May, so anything could still happen.  Well, actually it’s an album with Desertshore available in August, but other than that, anything could happen.  I’ll come in again.

Following from a set recorded live in Melbourne and his hugely enjoyable and eclectic Like Rats collection, Mark adjusts his oeuvre accordingly and heads off into pastures new, provided by the Album Leaf’s Jimmy Lavalle in an initially surprising fashion, but as it turns out it’s a fashion that suits both performers rather wonderfully.

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004Somehow, I have managed to amass 302 spam messages overnight.  Looking forward to reading them all, but sadly I can’t promise to reply to all of them.  I’m a busy man.  Of course I say busy, I’m looking forward to spending a night outside with a telescope and a cheeky bottle of red while staring at planets various and marvelling at the majesty of it all.  Unless it’s cloudy, in which case I shall just be getting drunk in the garden.

Going to try to Do A Thing this week that may or may not end up being a regular going-on – there seem to be a lot more singles and EPs floating about that usual of late, so I’m hoping to have a brief rummage through these on Wednesdays.  Other than that, it’s more general deck-clearing as there’s a couple of unlooked-for gems sat here to get out of the way before some more of 2013′s Big Guns start to show up and I find further distractions away from here.

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bibio silver wilkinsonThere are a couple of things that generally herald The Great British Summer.  Mostly, it’s the phrase “Since Records Began”, although it’s generally a mixed bag as to which record is going to be broken during any given year.  Early days yet as it’s only May, but “moodiest” seems to be an early contender.  Not that any of this matters, as if there’s something us British types are good at, it’s plugging along regardless then moaning about it at a later date.

What some of us are also good at is creating our own sunshine out of whatever happens to be around.  Silver Wilkinson, the latest album from Wolverhampton-based Bibio, follows in that fine tradition of parting the clouds and repainting the skies for the benefit of the rain-dampened masses.

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noIt’s probably about time for me to admit that I haven’ the faintest idea what I’m doing with this blog.  After over three years, one would have thought that I would have settled into some sort of happy little groove, but I haven’t really.  If anything, this is all going backwards – and much I should probably blame poor writing for this, the little graphic at the top-right of this that has appeared on the Facebook Page that accompanies this site recently should also shoulder a good chunk of it too.

This blog is tiny, and I guess I got lucky at the start of the life of whatever this is when one or two posts started to get passed around and retweeted… I even managed to garner a few comments on posts (albeit about 50% negative), and traffic was uniformly high, certainly higher than anything I could have expected from miserably scribbling away.  And then this happened on the site where most networking occurred.

Facebook is a business (even more so now it’s gone Public) and businesses need money, but in its voracious desire to hoover up every cent from everyone and by treating piddly little sites like this with the same approach as they do General Motors, Coca-Cola etc, they’ve strangled all sense of community.  Because every view is now so precious to everyone, bands and artists are now so focused on pleading with their fans to comment, like share and retweet every snippet of info, they’re not noticing so much when people do say something about them.  Especially when things can’t be soundbitten down into a meaningless arbitrary score (“This record was the soundtrack to my losing my love and my subsequent descent into drinking and drugs, so I rate this 8/10!” – and this record exists but I’m buggered if I’m going to tell you which one it is), it does sometimes feel now that everything’s getting a bit insular and territorial now, and that does nobody any good.  Word Of Mouth is just as important for blogs such as this as it is for the people that blogs such as this write happily and freely in favour of – it means that there is an outlet of positivity that they haven’t had to pay or beg their fans for, and this symbiosis also requires participation, otherwise that $10 per day to get one’s musings out there starts to look worryingly inevitable…

 

So why continue, if it makes me so angry and despondent at times?  Because sometimes it’s as good an outlet for my pettier, nastier side as it is for my enthusiasm and joy.  And as I don’t spend time here writing about what I think are bad records (because I don’t buy bad records as a rule, it’s kind of a waste of money to do so), I need a slightly different target to vent my spleen .  And when I hear that someone has bought something, or even just taken the time to have a bit of a listen, based on something that’s been written here, I can’t explain just how good that feels.  On the rare occasion that a conversation is begun that sends its participants off to a record store on the basis of something that someone said, it’s brilliant.  When artists take the time to pass something on or even get in touch, it’s a fantastic feeling and I am so utterly grateful for every single time that I see something of mine appearing on Facebook or Twitter or on other people’s sites and messageboards.  Hopefully I can keep bungling away here until the pendulum swings back towards a relationship that’s much closer to “us” than “them”.

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